Towards Relational Sociology argues that social worlds comprise networks of interaction and relations. Crossley asserts that relations are lived trajectories of iterated interaction, built up through a history of interaction, but also entailing anticipation of future interaction. In addition, he demonstrates how networks comprise multiple dyadic relations which are mutually transformed through their combination. On this conceptual basis he builds a relational foundation for sociology.

Over the course of the book, three central sociological dichotomies are addressed - individualism/holism, structure/agency and micro/macro ? and utilised as a foil against which to construct the case for relational sociology. Through this, Crossley is able to argue that neither individuals nor ?wholes? - in the traditional sociological sense - should take precedence in sociology. Rather sociologists should focus upon evolving and dynamic networks of interaction and relations.

The book covers many of the key concepts and concerns of contemporary sociology, including identity, power, exchange and meaning. As such it is an invaluable reference tool for postgraduate students and researchers alike.

Sociologists have written much about power in relation to psychiatry and mental health services. Until now, however, there has been little research on resistance to this power, whether in the form of individual crusades or the collective efforts of social movements. As a result, a central thread in the social constitution of the mental health system has been overlooked.
"Contesting Psychiatry "explores the history of resistance to psychiatry between 1950 and 2000, and more particularly, the history of the social movements who have mounted this resistance, calling psychiatry into question. Key features include:
an account of the key social movements and organizations who have contested psychiatry over the last fifty years
the theorization of resistance to psychiatry which might apply to other national contexts and to social movement formation and protest in other medical arenas
the exploration of theories of power in psychiatry
Original and provocative in its approach, "Contesting Psychiatry "offers a new sociological perspective on psychiatry. It is essential reading for students and academics alike and a unique contribution to the sociological understanding of psychiatry and medicine.

Resistance and social movements in mental health have been important in shaping current practice in both mental health and psychiatry. Contesting Psychiatry, focusing largely on the UK, examines the history of resistance to psychiatry between 1950 and 2000. Building on the authora (TM)s extensive research, the book provides an empirical account and exploration of the key features including:

• an account of the key social movements and organizations who have contested psychiatry over the last fifty years
• the theorization of resistance to psychiatry which might apply to other national contexts and to social movement formation and protest in other medical arenas
• the exploration of theories of power in psychiatry.

Original and provocative in its approach, this book offers a new sociological perspective on psychiatry.

The concept of networks and the techniques of social network analysis have each assumed increasing importance in social science in recent years, not least in relation to the analysis of collective action and particularly social movements. This timely collection offers a fascinating glimpse into the state of the art. Each chapter uses network analysis to tackle a different question regarding the nature and dynamics of social movement activity, and each reflects upon the advantages and limitations of the method for its purposes. The case studies focused upon are drawn from a variety of national contexts, both contemporary and historical, and both the methods used and the uses to which they are put are no less diverse. A must have book for anybody interested in social movement networks and contemporary ways of analysing them. This book was published as a special issue of Social Movement Studies.

Towards Relational Sociology argues that social worlds comprise networks of interaction and relations. Crossley asserts that relations are lived trajectories of iterated interaction, built up through a history of interaction, but also entailing anticipation of future interaction. In addition, he demonstrates how networks comprise multiple dyadic relations which are mutually transformed through their combination. On this conceptual basis he builds a relational foundation for sociology.

Over the course of the book, three central sociological dichotomies are addressed - individualism/holism, structure/agency and micro/macro ? and utilised as a foil against which to construct the case for relational sociology. Through this, Crossley is able to argue that neither individuals nor ?wholes? - in the traditional sociological sense - should take precedence in sociology. Rather sociologists should focus upon evolving and dynamic networks of interaction and relations.

The book covers many of the key concepts and concerns of contemporary sociology, including identity, power, exchange and meaning. As such it is an invaluable reference tool for postgraduate students and researchers alike.

Social networks are critical for the creation and consumption of music. This edited collection, Social Networks and Music Worlds, introduces students and scholars of music in society to the core concepts and tools of social network analysis. The collection showcases the use of these tools by sociologists, historians and musicologists, examining a variety of distinct 'music worlds', including post-punk, jazz, rap, folk, classical music, Ladyfest and the world of 'open mic' performances, on a number of different scales (local, national and international). In addition to their overarching Introduction, the editors offer a very clear and detailed introduction to the methodology of social network analysis for the uninitiated. The collection builds upon insights from canonic texts in the sociology of music, with the crucial innovation of examining musical network interaction via formal methods. With network analysis in the arts and humanities at an emergent stage, Social Networks and Music Worlds highlights its possibilities for non-scientists. Contributions hail from leading and emerging scholars who present social network graphs and data to represent different music worlds, locating individuals, resources and styles within them. The collection sits at the nexus of sociological, musicological and cultural studies traditions. Its range should ensure a large scholarly readership.

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .

Social networks are critical for the creation and consumption of music. This edited collection, Social Networks and Music Worlds, introduces students and scholars of music in society to the core concepts and tools of social network analysis. The collection showcases the use of these tools by sociologists, historians and musicologists, examining a variety of distinct 'music worlds', including post-punk, jazz, rap, folk, classical music, Ladyfest and the world of 'open mic' performances, on a number of different scales (local, national and international). In addition to their overarching Introduction, the editors offer a very clear and detailed introduction to the methodology of social network analysis for the uninitiated. The collection builds upon insights from canonic texts in the sociology of music, with the crucial innovation of examining musical network interaction via formal methods. With network analysis in the arts and humanities at an emergent stage, Social Networks and Music Worlds highlights its possibilities for non-scientists. Contributions hail from leading and emerging scholars who present social network graphs and data to represent different music worlds, locating individuals, resources and styles within them. The collection sits at the nexus of sociological, musicological and cultural studies traditions. Its range should ensure a large scholarly readership.

The concept of networks and the techniques of social network analysis have each assumed increasing importance in social science in recent years, not least in relation to the analysis of collective action and particularly social movements. This timely collection offers a fascinating glimpse into the state of the art. Each chapter uses network analysis to tackle a different question regarding the nature and dynamics of social movement activity, and each reflects upon the advantages and limitations of the method for its purposes. The case studies focused upon are drawn from a variety of national contexts, both contemporary and historical, and both the methods used and the uses to which they are put are no less diverse. A must have book for anybody interested in social movement networks and contemporary ways of analysing them. This book was published as a special issue of Social Movement Studies.

Nick Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. As such music both shapes and is shaped by the wider network of relations and interactions making up our societies at their local, national and global levels. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music that captures not only music's context but 'the music itself'. The book extends the project begun in Crossley's earlier work on punk and post-punk 'music worlds', revisiting this concept and the network ideas that underpin it, whilst broadening its focus through a consideration of wider music forms and the meanings that music has for its participants. -- .

Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of social divisions. Successive chapters of the book track and explore these interplays, in each case combining a critical consideration of existing literature with the development of an original, 'relational' approach to music sociology. The result is a grand sociological vision of music which captures not only music's context but 'the music itself'. The book will appeal to social scientists, musicologists and cultural scholars more widely. -- .

The ego-net approach to social network analysis, which takes discrete individual actors and their contacts as its starting point, is one of the most widely used approaches in the field. This is the first textbook to take readers through each stage of ego-net research, from conception, through research design and data gathering to analysis. It starts with the basics, assuming no prior knowledge of social network analysis, but then moves on to introduce cutting edge innovations, covering both new statistical approaches to ego-net analysis and also the most recent thinking on mixing methods (quantitative and qualitative) to achieve depth and rigour. It is an absolute must for anybody wishing to explore the importance of networks.

Clear and accessible Key Concepts in Critical Social Theory makes difficult ideas available to an undergraduate audience -"Larry Ray, Professor of Sociology, University of Kent

"

The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding.

Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension.

Key Concepts in Critical Social Theory

- Provides brief accounts of the central ideas behind the key concepts of critical social theory

Prepares students to tackle primary texts and/or gives them a point of reference when they find themselves stuck

Discusses each concept in an introductory way

Offers further reading guidance for independent learning

Is essential reading for undergraduates in sociology and across the social sciences."

.".".effectively demonstrates the enduring importance of 'classical' social movement theory...and provides a cutting edge critical review of recent theoretical developments. This is one of the most important general theoretical texts on social movements for some years."" - Paul Bagguley, University of Leeds Why and how do social movements emerge? In which ways are social movements analysed? Can our understanding be enhanced by new perspectives? "Making Sense of Social Movements" offers a clear and comprehensive overview of the key sociological approaches to the study of social movements. The author argues that each of these approaches makes an important contribution to our understanding of social movements but that none is adequate on its own. In response he argues for a new approach which draws together key insights within the solid foundations of Pierre Bourdieu's social theory of practice.

This new approach transcends the barriers which still often divide European and North American perspectives of social movements, and also those which divide recent approaches from the older 'collective behaviour' approach. The result is a theoretical framework which is uniquely equipped for the demands of modern social movement analysis.

The clear and concise style of the text, as well as its neat summaries of key concepts and approaches, will make this book invaluable for undergraduate courses. It will also be an essential reference for researchers.

From bookshelves overflowing with self-help books to scholarly treatises on neurobiology to late-night infomercials that promise to make you happier, healthier, and smarter with the acquisition of just a few simple practices, the discourse of habit is a staple of contemporary culture high and low. Discussion of habit, however, tends to neglect the most fundamental questions: What is habit? Habits, we say, are hard to break. But what does it mean to break a habit? Where and how do habits take root in us? Do only humans acquire habits? What accounts for the strength or weakness of a habit? Are habits something possessed or something that possesses? We spend a lot of time thinking about our habits, but rarely do we think deeply about the nature of habit itself. Aristotle and the ancient Greeks recognized the importance of habit for the constitution of character, while readers of David Hume or American pragmatists like C.S. Peirce, William James, and John Dewey know that habit is a central component in the conceptual framework of many key figures in the history of philosophy. Less familiar are the disparate discussions of habit found in the Roman Stoics, Thomas Aquinas, Michel de Montaigne, Rene Descartes, Gilles Deleuze, French phenomenology, and contemporary Anglo-American philosophies of embodiment, race, and gender, among many others. The essays gathered in this book demonstrate that the philosophy of habit is not confined to the work of just a handful of thinkers, but traverses the entire history of Western philosophy and continues to thrive in contemporary theory. A History of Habit: From Aristotle to Bourdieu is the first of its kind to document the richness and diversity of this history. It demonstrates the breadth, flexibility, and explanatory power of the concept of habit as well as its enduring significance. It makes the case for habit's perennial attraction for philosophers, psychologists, and sociologists.

This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. -- .

From bookshelves overflowing with self-help books to scholarly treatises on neurobiology to late-night infomercials that promise to make you happier, healthier, and smarter with the acquisition of just a few simple practices, the discourse of habit is a staple of contemporary culture high and low. Discussion of habit, however, tends to neglect the most fundamental questions: What is habit? Habits, we say, are hard to break. But what does it mean to break a habit? Where and how do habits take root in us? Do only humans acquire habits? What accounts for the strength or weakness of a habit? Are habits something possessed or something that possesses? We spend a lot of time thinking about our habits, but rarely do we think deeply about the nature of habit itself. Aristotle and the ancient Greeks recognized the importance of habit for the constitution of character, while readers of David Hume or American pragmatists like C.S. Peirce, William James, and John Dewey know that habit is a central component in the conceptual framework of many key figures in the history of philosophy. Less familiar are the disparate discussions of habit found in the Roman Stoics, Thomas Aquinas, Michel de Montaigne, Rene Descartes, Gilles Deleuze, French phenomenology, and contemporary Anglo-American philosophies of embodiment, race, and gender, among many others. The essays gathered in this book demonstrate that the philosophy of habit is not confined to the work of just a handful of thinkers, but traverses the entire history of Western philosophy and continues to thrive in contemporary theory. A History of Habit: From Aristotle to Bourdieu is the first of its kind to document the richness and diversity of this history. It demonstrates the breadth, flexibility, and explanatory power of the concept of habit as well as its enduring significance. It makes the case for habit's perennial attraction for philosophers, psychologists, and sociologists.

'Clear and accessible - Key Concepts in Critical Social Theory makes difficult ideas available to an undergraduate audience' -"Larry Ray, Professor of Sociology, University of Kent

"

The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding.

Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension.

Key Concepts in Critical Social Theory:

- Provides brief accounts of the central ideas behind the key concepts of critical social theory

- Prepares students to tackle primary texts and/or gives them a point of reference when they find themselves stuck

- Discusses each concept in an introductory way

- Offers further reading guidance for independent learning

- Is essential reading for undergraduates in sociology and across the social sciences.

This book explores both the embodied nature of social life and the social nature of human bodily life. It provides an accessible review of the contemporary social science debates on the body, and develops a coherent new perspective.

Nick Crossley critically reviews the literature on mind and body, and also on the body and society. He draws on theoretical insights from the work of Gilbert Ryle, Maurice Merleau-Ponty, George Herbert Mead and Pierre Bourdieu, and shows how the work of these writers overlaps in interesting and important ways which, when combined, provide the basis for a persuasive and robust account of human embodiment.

The Social Body provides a timely review of the theoretical approaches to the sociology of the body. It offers new insights, and a coherent new perspective on the body.

This book explores both the embodied nature of social life and the social nature of human bodily life. It provides an accessible review of the contemporary social science debates on the body, and develops a coherent new perspective.

Nick Crossley critically reviews the literature on mind and body, and also on the body and society. He draws on theoretical insights from the work of Gilbert Ryle, Maurice Merleau-Ponty, George Herbert Mead and Pierre Bourdieu, and shows how the work of these writers overlaps in interesting and important ways which, when combined, provide the basis for a persuasive and robust account of human embodiment.

The Social Body provides a timely review of the theoretical approaches to the sociology of the body. It offers new insights, and a coherent new perspective on the body.

This clearly written and broad-ranging text introduces and explains the notion of intersubjectivity as a central concern of philosophy, sociology, psychology and politics. The main purpose of the book is to provide a coherent framework for this important concept against which the various and contrasting debates can be more clearly understood. Beyond this, Nick Crossley provides a critical discussion of intersubjectivity as an interdisciplinary concept to shed light on our understanding of selfhood, communication, citizenship, power and community. The author traces the contributions of many key thinkers engaged within the intersubjectivist tradition, including Husserl, Buber, Koj[gr]eve, Merleau-Ponty, Mead, Wittgenstein, Schutz and Habermas. Intersubjectivity is an important and accessible volume which promotes cooperation between various disciplines addressing shared concerns.

The ego-net approach to social network analysis, which takes discrete individual actors and their contacts as its starting point, is one of the most widely used approaches in the field. This is the first textbook to take readers through each stage of ego-net research, from conception, through research design and data gathering to analysis. It starts with the basics, assuming no prior knowledge of social network analysis, but then moves on to introduce cutting edge innovations, covering both new statistical approaches to ego-net analysis and also the most recent thinking on mixing methods (quantitative and qualitative) to achieve depth and rigour. It is an absolute must for anybody wishing to explore the importance of networks.

This clearly written and broad-ranging text introduces and explains the notion of intersubjectivity as a central concern of philosophy, sociology, psychology and politics. The main purpose of the book is to provide a coherent framework for this important concept against which the various and contrasting debates can be more clearly understood. Beyond this, Nick Crossley provides a critical discussion of intersubjectivity as an interdisciplinary concept to shed light on our understanding of selfhood, communication, citizenship, power and community. The author traces the contributions of many key thinkers engaged within the intersubjectivist tradition, including Husserl, Buber, Koj[gr]eve, Merleau-Ponty, Mead, Wittgenstein, Schutz and Habermas. Intersubjectivity is an important and accessible volume which promotes cooperation between various disciplines addressing shared concerns.